Modern Acoustic Blues finds contemporary
artists reviving the older, more country-derived styles of blues in its myriad
strains. The form places a great deal of emphasis on instrumental expertise,
providing the genre with some astounding players who do more than merely
replicate older styles. An outgrowth of the folk music boom and original blues
revival of the mid-'60s, its emotional makeup can encompass everything from
provincialism to intense personal statements. While clearly honoring
traditional forms, the style also has room for original material, providing a
forum for new ideas as well as extending the genre's musical repertoire into
the future.
Contemporary Blues draws upon traditional
acoustic and electric blues, but offers a more smoothed-out take on the genre
that incorporates the influences of rock, pop, R&B, and/or folk. As such,
contemporary blues is most often (though not always) electric, and rarely
(though once in a while) purist. Because of its up-to-date production and
mellower audience sensibility, the style tends to be more polished and
sometimes even a bit genteel; it's still definitely soulful, but not quite as
earthy or gritty as the music that predates it, and not as aggressive or fiery
as modern-day electric blues from Chicago or Texas. Since it's informed by
other types of music, contemporary blues has a greater chance of crossing over
to pop, album rock, or adult-contemporary radio formats. Artists like Robert
Cray, Keb' Mo', and prodigies Kenny Wayne Shepherd and Jonny Lang epitomize the
contemporary blues sound.
I think these are pretty good definitions. Well written too!
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